Right... On!(1983)

Stathis tries to find a job but in the meantime he finds Marina, who he decides to help figure out who is behind the motorcycle that has been stolen from her father.

After numerous fruitless attempts to get a job, an outspoken unemployed Greek, Michalis Vidas, is eventually taken in for a psychological evaluation by an unlucky twist of fate. However, pretty soon, things will take an unexpected turn for the better, when a precious positive assessment of his mental state lands him a job at a pasta factory on the brink of bankruptcy, and a place in the heart of the charming co-owner, Lola. Now, who would have thought that adding just a dash of folly could open doors for the young man?

Let’s get SICK’NING for the Holidays! RuPaul’s Drag Race legend Laganja Estanja is here for Hey Qween’s Very Green Christmas Special!

Have you ever felt lonely in a Relationship..., Marriage or Live_In , doesn't matter, when you can't share your feelings with your companion, it is like travelling to an unknown destination with a troublesome partner.

No overview available.

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

No overview available.

A young writer is invited to the remote compound of a legendary pop star who mysteriously disappeared thirty years ago. Surrounded by the star's cult of sycophants and intoxicated journalists, she finds herself in the middle of his twisted plan.

Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.

Shortly after comic artist Adam responds to Internet trolls, he begins experiencing sleep paralysis. As he chronicles increasingly malevolent occurrences in a series of tweets, Adam begins to believe he is being haunted by the ghost of a dead child named David.

Lukáš, Alžbetka's son, takes off into the world looking for happiness and love. His godmother, the celestial Lady Winter, keeps an eye on him. He arrives late in the fairy-tale land that she leads him to. Fear reigns where once cakes grew on trees. The miraculous ram has disappeared and the royal town is cursed. Lukáš has to decide what is closer to his heart: a fortune or love?

A cunning scientist exploits people with rare diseases to advance the field of research by decades. She plays different roles, each time with different costumes and emotions, in order to obtain valuable research data. Her head professor gets wind of her doings and has to deal with this situation: should efficient research be allowed, even if it is immoral?

Director Karl Brown's 1938 circus drama stars Marjorie Main as a tough, fur-coat-wearing circus boss who raises her orphaned niece to be a trapeze star.

A matriarch past the point of a nervous breakdown, her two daughters that don't give a damn, and the heat-seeking missiles of resentment they toss at each other.

A former honor student spirals down the deep, dark hole of an addiction to prescription pills.

Mutiny employs a panoply of expression, gesture, and repeated movement. Its central images are of women: at home, on the street, at the workplace, at school, talking, singing, jumping on trampolines, playing the violin. The syntax of the film reflects the possibilities and limitations of speech, while “politically, physically, and realistically” flirting with the language of opposition.

Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.

Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.